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好的,我明白了

夏洛特alldis正在制作艺术来加强归属感

Studio Visit

When she was a child,夏洛特alldis.与她的兄弟写了一个邪恶的兄弟姐妹的恐怖故事,对世界严重复仇。在青春期,她痴迷于薄膜黑色,手工制作了卡通软玩具。五年前,在从疾病中恢复过来,她将这些相同的其他人物称为画布上。这种“治疗过程”是她蓬勃发展的艺术实践如何继续发展。

With installations at music festivals and nightclubs under her belt, an upcoming研讨会系列和合作Kuwaii.在作品中,夏洛特的明星很好,真正的崛起。

16th March, 2020

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

照片 -Amelia Stanwixfor the Design Files.

Sasha Gattermayr
2020年3月16日星期一

“我要求你加入我,和我一起玩,跟我一起笑,感觉有点愚蠢。' - 夏洛特alldis

在一个命运中,我知道夏洛特alldis.需很长时间。我们一起去了小学和高中,并在UNI交叉道路。两年前,我买了一幅画,看到她的艺术蓬勃发展并通过Instagram进化,在设计文件的第一周之一,我们的管理编辑将我分配给这个故事。狗万app苹果

在某种程度上,我的个人连接使得这更难以写作。它使工作更加难以知道的工作,以某种方式更加漂亮,因为它与我的回忆混合。我肯定知道的是,她的扭曲,怪异的女士是我在睡觉时看到的最后一件事,当我醒来时第一次。他们挂在我的床上,看起来像是那样从他们的框架中脱节,让人想起女性债券和身体的缠结复杂性。它们是令人毛骨悚然的舒适和二维公司的恒定来源。

‘I’m asking for you to join me, to play with me, to laugh with me, to feel a little bit silly,’ the artist explains, and I immediately dismiss the insecurity that I can’t articulate as a clear objective through her work. Because it turns out that’s the point.

夏洛特不仅仅是艺术创作,她建立一个world. Her paintings are not about finding linear meanings and movements. Instead, her characters travel across paintings, like recurring dreams that populate a subconscious. They can be unnerving or comforting but most of all they’re a distinguished presence outside her personality. ‘Sometimes it can feel like there is a crowd with me while I paint,’ she laughs, describing the cartoonish, painted forms as facets of her own identity. ‘The characters are extensions of myself, and representations of feeling. Each character is an extension or aspect of my experiences,’ Charlotte explains, which makes her art deeply personal and subjective all at once.

这是社区的这种经验,首先将夏洛特从五年前向视觉艺术制定到视觉艺术,以及今天的不断发展的惯例。她的作品对其意外的颜色组合,天真的线条和拥挤,冲动的作品 - 所有这些都是令人信心的,这使得信任与自由感,而不羁的原创性。这是正式艺术训练和意向性的挫败,让她的工作如此引人注目。

Driving Charlotte’s most recent project,做一个混乱, is the shared desire for a space for communal art making. She began this as a public workshop series with two friends, with tickets opening soon for the next quarter. ‘It’s founded on our shared interest in facilitating spaces for people to come together and explore mark-making, constructing and creative expression, all free of judgement,’ Charlotte explains. Letting others in on the therapeutic properties of playful art is her mission. ‘My art is deeply personal, but sharing it perpetuates playfulness and positivity for others.’

For Charlotte, art is about letting go of what you’re supposed to feel or think or like. It’s a rejection of a universal taste, and a turn inwards to listen to our subjectivity. It sounds spiritual and, in a way, it is. This kind of art exists as an anchor to all that feels chaotic and scrambled and overwhelming in the world, to enliven those negativities, and remind you they’re okay.

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